Matt Groening
By Doug Sadownick
"Groening Against the Grain; Maverick Cartoonist Matt Groening Draws in Readers With Gay
Characters Akbar and Jeff"
© Advocate, Issue 571, February 26, 1991
Sitting in his Twentieth Century Fox office, which is cluttered with
Bart Simpson toys and other marketing products, Matt Groening looks more
like a long-haired-ex-football jock than a 36-year-old straight guy who
is angry about the plight of gays in a homophobic world. But looks can
deceive. Groening is nothing like his ham-fisted, loudmouthed character
Bart Simpson. He is empathetic to others and rather radical. Groening
is reaping huge success as the creator of the TV show The
Simpsons. His comic-strip series Life in Hell is popular
too. These days he turns down most interviews. Yet he is eager to talk
to gay America and muse about his beloved cartoon creations Akbar and
Jeff, who are gay and madly in love with one another too.
Groening is not gay - he has a wife and a young son. No matter; he has
tapped a gay nerve with the dynamic duo of Akbar and Jeff. Wearing
identical fezzes, Charlie Brown T-shirts, and baggy shorts, they look,
act, and think alike yet appear to one another as different as night and
day.
Syndicated is hundreds of newspapers and magazines around the country,
they have won the hearts of many Americans - especially gay men starved
for positive portrayals of lasting gay love. Given the lack of
mainstream depictions of gay couples, Akbar and Jeff have become virtual
role models to some, no doubt because of their baffling loyalty.
Witness their vulnerability (they get fag-bashed), joy of living (they
skip whenever possible), entrepreneurial flair (you name it, they will
market it), and fezzes (which flip off at the first hint of sex.) It
tickles Groening to hear of the Akbar and Jeff fan clubs in San
Francisco or to be told that it has become de regueur to wear Jeff and
Akbar drag to certain demonstrations.
While Groening says he is not writing about the gay community, he does
touch on subjects deeply specific to gays. Akbar and Jeff sit on the
couch that acts as the barometer of their emotions, talking about the
HIV-antibody test or hearing the news on TV about the Supreme Court's
ruling that sodomy is a crime. (They answer, "Damn the law!") Or they
are in a dark forest, being assaulted for who they are. In another
strip, they worry if they will be accepted at a gay bar; when they
arrive. everyone looks exactly like them. No trauma takes place without
such seemingly gay-inspired irony.
Indeed, Groening wishes to reach people politically through laughter -
except when it comes to appropriations of his images. He is angered
that last summer a right-wing student publication at the University of
Iowa printed a poster of Bart Simpson with the caption "Back Off,
Faggot!" Twentieth Century Fox, which holds the trademark to The
Simpsons, is suing the newspaper for copyright infringement.
However, Groening says he is less concerned when gay groups use his
images to advance their causes.
The cartoonist shares these views - as well as his thoughts on gay
romance - in an exclusive interview with The ADVOCATE.
For years I did not realize Akbar and Jeff were overtly gay until
they went to a gay bar. How gay are they?
I act coy when people ask whether or not they are gay. I say they are
either brothers or lovers or possibly both. [Whispering] But
they're gay. Actually, I say what would annoy the questioner the most.
In most cases, that means saying Akbar and Jeff are gay. I mean, it's
obvious, right? It's also part of the American tradition: Laurel and
Hardy sleep in the same bed as do the Three Stooges. I rest my case.
Akbar and Jeff are syndicated everywhere. Do you get flak from
homophiles about their relationship?
It's really great to do a comic strip that goes to small cities as well
as big ones. It's in about 300 papers around the country, including
about 30 daily papers. And you know that some of these newspapers'
editors have an antigay bias. But they can't find anything about the
strip that they can censor. So the strip runs consistently in many
conservative papers.
Maybe it's the consistency of the relationship that irritates the
fundamentalists.
Not for long. Akbar and Jeff are going to break up at some point soon.
I can't tell you what's going to happen, but I can't imagine Akbar
without Jeff for long. It'll be rocky. I have a good breakup and
reconciliation strip.
Can you tell us why they break up?
[Laughing] It's obvious, isn't it? [More laughter] They
can't stand each other. [Even more laughter] But they love each
other. They can't live with or without each other. What I like about
them is this: When they criticize each other, it's like when somebody
exactly the same as you criticizes you. It's hilarious, like you don't
see the mirror. It's seems like they have been together a long time,
doesn't it? I'm getting to know the characters as they go along.
That's why it's going to be fun to have them break up and get back
together.
They'll date? What will be the adulterers look like?
I don't know. Akbar and Jeff are the only humans in my strip. Every
other character in my comic strip has ears that are above the eyebrows
and is a bear, dog, rabbit, or whatever. Akbar and Jeff are the only
characters who wear clothes.
Are they your favorite characters?
They are the most fun to write. Working on The Simpsons, I get
to do a lot of stuff about family relations. In Akbar and Jeff, that
kind of sensitive, male-to-male stuff is something I don't explore
elsewhere. I would love to see Akbar and Jeff animated. There's some
talk about it.
Why do you draw such similar guys?
I like to write about relationships. What's great about having
aharacters who are identical is that I can't be accused of taking sides.
If one character were a man or a woman, I could be accused of taking a
shot against men or a show against women. Or if it were two women or
two men, I could side with the one who is more attractive or whatever.
If people say Akbar and Jeff are a comment on gay relationships, fine.
But I think that they're a comment on all relationships or that maybe
it's time for straight people to be able to see themselves in gay people
or learn something from gay people.
You say all the right things. That's new among people, whether
gay or straight, who work in TV or film. How come?
I have gay friends. And I'm sympathetic. I internalized all the good
lefty progressive politics I grew up with in the '60s, and it pisses me
off that there is still so much injustice in the world. For some
reason, gay people are one of the last so-called minorities society has
yet to offer civil rights to. And that us a measure of how far behind
as a country we are.
How much of Akbar and Jeff is in you?
A lot of it comes from my life. Dumb arguments with my wife or myself.
One of the original strips that I did in the late '60s had the two
sitting next to each other, and they're not even touching, and one says,
"Quit shoving." That's me and my sister, sitting in the backseat of the
family car. Akbar and Jeff reflect a dialectic about something I am
undecided about.
I could easily do a lot of these relationship
arguments with Binky or Bongo, but it would never be as funny. Why? The
art us very simple. I withhold emotional information. Akbar and Jeff
have blank expressions, so you must assign emotions to them. The become
projections for people, which is why they're loved.
You've hit on some humane dynamic between Jeff and Akbar that
inspires gay men. It's often hard to find that kind of harmony among
ourselves.
The idea that anyone considers Akbar and Jeff role models make me laugh.
They're complicated characters. I think that one is ultimately
sympathetic to them, but they are scam artists. They'll sell anything,
even liposuction. I will not have my other characters - Binky and Bongo
and Sheba - endorsing anything. But Akbar and Jeff can endorse all they
want.
Did you have a political stance when you first began drawing Akbar
and Jeff?
I didn't start out with any political agenda. In fact, the characters
were based on the very first characters that my friends and I invented
when we were kids in the fifth grade. We started making up our own
characters, rather than drawing monsters like Frankenstein and the
Creature from the Black Lagoon. At first, we were trying to draw
Charlie Brown, but it just looked like some horrible mutant version of
what Charles Schulz had in mind. Eventually it mutated into this guy we
called Joe, who still had Charlie Brown's T-shirt. And then much later,
in high school, I added the fezzes and made them twins. Then it took me
ten years to realize they were either brothers or lovers or possibly
both.
Is there someone gay in your family?
No, not in my family. But good friends of mine from grade school and
high school. At a certain point, they realized they were gay. Akbar
and Jeff are partly in tribute to them, including one kid who had to
transfer away to a different high school because he was afraid of being
found out by the football players and getting beaten up.
Since then, gay friends have been part of my life. It's part of
anyone's life in a big city like Los Angeles, anyone in journalism or
the arts. I haven't lost many people to AIDS, although one of my best
friends is dying right now. Many acquaintances. I did the
{HIV-antibody] testing strip for them. If I could figure out a way to
do more comic strips about AIDS, I would. I just can't figure out how
to be funny. Most of my political stuff leaves me unsatisfied because
it's too heavy-handed. But I will if I can.
Do you get accused if being gay because you're sympathetic?
I went to Evergreen State College in Washington, a four-year state-run
school that arose out of the agitation over progressive education in the
'60s. All the creative weirdos in the Pacific Northwest gravitated
there. We got the opportunity to get our hands on filmmaking equipment,
the school newspaper, and the art gallery. That encouraged me to live
out whatever fantasy or dream that I wanted in life - we didn't worry
about credentials. And that's where I met Lynda Barry, my favorite
cartoonist. I studied literature, but I knew I had to be a cartoonist.
Did you always know you'd be successful?
No way. I actually wanted to be a journalist, and I moved to Los
Angeles after I graduated in 1977 to work for the local alternative
paper, which was, at the time, the Los Angeles Free Press. When
I walked into the office and saw the receptionist crying, "Don't work
for these bastards." I was disappointed. So I floundered for a couple
of years. I did Life in Hell as a little photocopied comic book
while I worked at Licorice Pizza [a record store] up on the Sunset Strip
during the heyday of punk. I sold Life in Hell alongside
Slash and Starting Fires magazines.
How encouraging for struggling artists.
I worked there for a year and sold my little comic book, and I had no
idea I'd be anything other than a loser. Eventually I did a little
pasteup work for the L.A. Weekly. The L.A. Reader like my
stuff. They gave me a page in the back of the paper, which is where it
all began, ten years ago.
I don't know what I'd be doing had I not
gotten lucky breaks. I suspect I'd still be drawing Life in
Hell, but I'd be doing it on the side. The fact that it took off
and I got this TV show is something I never dreamed of. I hoped it
would happen, but it didn't seem likely. My family loves it.
It seems you must come from a very funny family.
My background is Norwegian and German, two of the unfunniest ethnic
groups in the history of the world. How I ended up working in cartoons
is a mystery. My parents are funny. I named the Simpsons after them.
My father's name is Homer, my mother's is Margaret. I have a sister
Lisa and a sister Maggie. They're very complimented. My dad said to my
mother the other day, "Maybe we Alzheimer's disease and this whole thing
is a dream." That's indicative of how funny we are.
Is Homer modeled after your dad?
Not at all. My dad is a writer. I grew up in a family of Lisa types:
overeducated, smart-ass types.
Do you have kids?
My son, Homer, was born along with the beginning of The Simpsons.
I thought it was going to be a hit, but I didn't think it was going to be
quite the cultural whirlwind it's turned into. I really don't want him
to have to suffer. He's got a nice middle name.
What if he turned our to be gay? How would you react?
Whatever. It's his choice. I talk about this with friends - not just
sexual orientation but how much influence you have over your kids? To
me, creative self-expression is the ultimate, it's the greatest thing in
my life. I love it, it makes me the happiest. What if that doesn't
interest him? What if he wanted to be an accountant? Oh, no. But
you've got to let him do what he wants to do. Even if he wants to be a
gay accountant.
Well, there are plenty of those. Could you envision Akbar and Jeff
going up to Queer Nation or an ACT UP meeting?
I don't know if it's in their character to be politically active, but
you never know. But I don't think about them that way. Akbar and Jeff
are not a comment on gay culture. I mean, they're gay, so they could
become activists. We'll see.
Bart Simpson, the hero of The Simpsons, is a macho character.
Could he ever be friends with Akbar and Jeff?
I don't think so. The Simpsons are locked in their own world. They
don't realize what hits them, and they're no that open-minded. If Homer
voted, he'd probably vote Republican. Luckily, he doesn't vote.
There's a great line a character says in The Simpsons: "Nothing
personal, I just fear the unknown." That sums up the Simpsons.
And much of America. But you did introduce a gay character in a
recent episode. Homer gets a gay secretary, right?
Yeah. Harvey Fierstein was the voice behind Carl, and he was
hysterical. People called up the day after the show going "What was the
deal with the secretary? Was he gay?" I said, "He's whatever you want
him to be." I don't think we held back. He does kiss Homer: He does
give him a nice pat on the butt.
Some gay viewers were a little frustrated with the character because
he didn't identify himself as gay.
I think that given the nature of TV these days, the fact that we did is
beyond any other cartoon and is pretty outrageous. I'm not happy that
it was outrageous, but it was for TV standards. I think we thought we
were being subtle. I rarely refer to Akbar and Jeff as being gay
either. That's part of their personality. Not that I don't have any
criticisms of that episode. The secretary plays the part of "the good
fairy." He comes into Homer's life and is absolutely a perfect person
and saves Homer.
Does he get any credit?
No, he doesn't. He sort of leaves. Homer steals money from the
insurance fund in order to grow hair. The character, Carl, pays the
money back and says he was the one who committed this fraud and gets
fired. The part we unfortunately cut out is this: Homer does pay him
back. Carl's a good person, but he's not altruistic.
What do you think about people bootlegging images of Bart to further
their own political agenda? Even the group Jews for Jesus has
appropriated Bart. Homophobes use Bart to say, "Back Off, Faggot!"
Queer Nation has Bart crying, "No More Queer Bashing! I'm Talking to
You!"
Of course, anytime you create something and somebody else appropriates
it to get across a message you don't agree with, it's irritating. On
the other hand, the black Bart T-shirts are hilarious.
So you don't mind if Bart is appropriated, as long as it's for
something you agree with?
To me there's an aspect to it that's a compliment. On the other hand,
there are factories cranking out these T-shirts making lots of money.
But Bart has been used to promote homophobia, and that especially
bothers me. We're not fighting [the University of Iowa's The Campus
Review] on First Amendment grounds - they have the right to do
whatever they want. This happens to be a copyrighted character, and
they cannot appropriate a protected character. T don't own The
Simpsons, by the way, Twentieth Century Fox does, and they are the
ones who are suing. Yes, I have less problems with Bart being used by
Queer Nation. On the other hand, sexualizing Bart at all is
problematic.
But it's less of a problem if you agree politically?
It's inappropriate for me to give my blessing to any copyright
infringement because I don't own The Simpsons. But yes, there
are things that bother me less than others. The Tijuana pinata of Bart
Simpson amuses. The Bart Simpson yarmulke from Israel amuses. "Back
Off, Faggot," I hate. Part of the problem with this ugly rightwing sh**
- let me phrase this better - part of the problem with this ignorant
stuff is that it is just designed to get your goat. They are not trying
to gain converts, they are just trying to piss people off. And I don't
want to give them the satisfaction.
Why are there so few gay characters in cartoons? There was the Andy
character in Doonesbury, but he died of AIDS.
As Marge Simpson says, "the fear of the unknown." I think people are
very unnerved by bisexuality in our culture - unless it's about teasing,
unless it's about withholding sex or implying homosexuality with the
underlying message being "Ha-ha, I'm not." There's virulent homophobia
in our culture. Cartoonist deal with exaggerated caricatures. Comics
are seen as a kiddie medium, and there is a little history of dealing
with taboo in comic strips. For example, in daily strips you used to
not be able to show snakes. Why? Hmmm. Let me think. Snakes:
phallic. And so on. Things are loosening up a little bit. As far as I
know, Akbar and Jeff are the only gay couple in comics. They may dance
with a woman or two. But I don't think they are going to shape up.
Have you ever envisioned Akbar and Jeff having sex?
I've done it in an oblique way. I have them referring to sex, like in
the "talk dirty to me" cartoons recently. I try not to get my comic
strip censored. I don't use profanity in the strip. I don't want to
give daily papers an excuse not to print it. Fezzes fly off when
something good has just happened. [Laughing]. People have sent
me explicit drawings of Akbar and Jeff having sex.
But they don't have any organs.
Yes, they do. [Pretending to take offense] You just don't see
them. In fact, there is a comic of them getting out of bed naked.
[He shows the strip of their waking up. trying to decide what to
wear. Their heads are turned around away from their genitals.] I'm
not that good a draftsman. What you're seeing is their butts. I know,
they are big. If they turned around, you'd see their nipples and belly
buttons and di**s. There is another comic book that's at the printers
called Go Naked, in which Akbar and Jeff do indeed go naked. So
you'll see details. As detailed as I get; my drawings are very simple.
But, yes, they are full-fledged men.
Is there any role playing, any top-and-bottom thing that happens
between them?
You can make them anything you want. I think the answer to that is
pretty obvious. They're both.
One last thing. It's such a hard
time for gay people right now. If I can bring a little help or laughter
into peoples' lives, that is important to me.
Transcribed by Bruce Gomes
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